We are pleased to announce the launch of SoundEffects, a new international peer-reviewed journal on sound and sound experience operating on the Open Journal System.
SoundEffects brings together a plurality of theories, methodologies, and historical approaches applicable to sound as both mediated and unmediated experience. The journal primarily addresses disciplines within media and communication studies, aesthetics, musicology, comparative literature, cultural studies, psychology and sociology. In order to push the boundary of interdisciplinary sound studies into new areas, we also encourage contributions from disciplines such as health care, architecture, and sound design. As the only international journal to take a humanities-based interdisciplinary approach to sound, SoundEffects is responding to the increasing global interest in sound studies.
One of the advantages of SoundEffects as opposed to paper journals is that we can offer authors the possibility to attach sound bites to their articles (please check the Author Guidelines).
The editors of SoundEffects: Birger Langkjær, Erik Granly Jensen, Birgitte Stougaard Pedersen and Iben Have.
SoundEffects is sponsored by the Danish Research Foundation
ISSN: 1904-500X
The journal is supported by the following International Advisory Board: Michael Bull (University of Sussex); Annabel J. Cohen (University of Prince Edward Island); Steven Connor (Birkbeck College, London); Nicholas Cook, (University of Cambridge); Christoph Cox (Hampshire College); Lydia Goehr (Columbia University); Antoine Hennion (Centre de Sociologie de l'Innovation, Paris); Kathleen Higgins (University of Texas, Austin); Douglas Kahn (University of New South Wales, Sydney); Phillip Tagg (Universities of Huddersfield and Salford).
Vol 1, No 1 (2011)
Table of Contents
Editorial
| Introduction | |
| Iben Have, Erik Granly Jensen, Birgitte Stougaard Pedersen | 1 - 4 |
Articles
| Auscultations | |
| Steven Connor | 5 - 18 |
| The Word and the Sound: The Sonic Color-line in Frederick Douglass's 1845 Narrative | |
| Jennifer Stoever-Ackerman | 19 - 36 |
| Clocks, horses, trains: the aural space-time complex in the late-nineteenth and early-twentieth centuries | |
| Sam Halliday | 37 - 51 |
| Sound for Thought: Listening as Metabolism | |
| Michael Vincenzo Butera | 52 - 66 |
| Listening to the world. Sound, Media and Intermediality in Contemporary Sound Art. | |
| Anette Vandsoe | 67 - 81 |
| Acoustic Shadows: An Auditory Exploration of the Sense of Space | |
| Frank Dufour | 82 - 97 |
| A Contribution to the phono-kinetic approach: An architectural experimentation to design a public shelter | |
| Gregoire Chelkoff | 98 - 116 |
| Voices on the wind: Compositional Approaches to the identification and Interrogation of Meaning in the Soundscape | |
| Marcus Jonathan Leadley | 117 - 138 |
Book Reviews
| Thinking the city through sound | |
| Jacob Kreutzfeldt | 139 - 142 |
ISSN: 1904-500X