We are pleased to announce the launch of SoundEffects, a new international peer-reviewed journal on sound and sound experience operating on the Open Journal System.
SoundEffects brings together a plurality of theories, methodologies, and historical approaches applicable to sound as both mediated and unmediated experience. The journal primarily addresses disciplines within media and communication studies, aesthetics, musicology, comparative literature, cultural studies, psychology and sociology. In order to push the boundary of interdisciplinary sound studies into new areas, we also encourage contributions from disciplines such as health care, architecture, and sound design. As the only international journal to take a humanities-based interdisciplinary approach to sound, SoundEffects is responding to the increasing global interest in sound studies.
One of the advantages of SoundEffects as opposed to paper journals is that we can offer authors the possibility to attach sound bites to their articles (please check the Author Guidelines).
The editors of SoundEffects: Birger Langkjær, Erik Granly Jensen, Birgitte Stougaard Pedersen and Iben Have.
SoundEffects is sponsored by the Danish Research Foundation
ISSN: 1904-500X
The journal is supported by the following International Advisory Board: Michael Bull (University of Sussex); Annabel J. Cohen (University of Prince Edward Island); Steven Connor (Birkbeck College, London); Nicholas Cook, (University of Cambridge); Christoph Cox (Hampshire College); Lydia Goehr (Columbia University); Antoine Hennion (Centre de Sociologie de l'Innovation, Paris); Kathleen Higgins (University of Texas, Austin); Douglas Kahn (University of New South Wales, Sydney); Phillip Tagg (Universities of Huddersfield and Salford).
Vol 2, No 1 (2012)
Table of Contents
Editorial
| Editorial | |
| Birgitte Stougaard Pedersen, Anette Vandsø, Charlotte Rørdam Larsen | 1-4 |
Articles
| Music and the emergence of experimental science in early modern Europe | |
| Penelope Gouk | 5-21 |
| Recycling sound in Commercials | |
| Charlotte Rørdam Larsen | 22-43 |
| AN ELUCIDATION OF PUBLIC SOUND ART THROUGH A NON-SONOROUS TRADITION | |
| María Andueza Olmedo | 44-60 |
| Street Cries and the urban ritornelle | |
| Jacob Kreutzfeldt | 61-80 |
| Michael Jackson's Sound Stages | |
| Morten Michelsen | 81-95 |
| I am Recoding the Sound of My Speaking Voice. Enunciation in Alvin Lucier's I'm Sitting in a Room | |
| Anette Vandsoe | 96-112 |
| Radiolab - three different approaches | |
| Ola Stockfelt, Ansa Lønstrup, Torben Sangild | 113-154 |
| The musicalized soundtracks of Armadillo. Emotional realism and real emotions | |
| Iben Have | 155-170 |
| Ordinary sonic public space. Sound perception parameters in urban public spaces and sonic representations associated with urban forms | |
| Solène MARRY | 171-196 |
| The Body of Sound: Sounding out the History of Science | |
| Holger Schulze | 197-209 |
ISSN: 1904-500X