@article{Michelsen_2012, title={Michael Jackson’s Sound Stages}, volume={2}, url={https://www.soundeffects.dk/article/view/5163}, DOI={10.7146/se.v2i1.5163}, abstractNote={<p>In order to discuss analytically spatial aspects of recorded sound William Moylan’s concept of ‘sound stage’ is developed within a musicological framework as part of a sound paradigm which includes timbre, texture and sound stage. Two Michael Jackson songs (‘The Lady in My Life’ from 1982 and ‘Scream’ from 1995) are used to: a) demonstrate the value of such a conceptualisation, and b) demonstrate that the model has its limits, as record producers in the 1990s began ignoring the conventions of stereo recording’s illusion of three dimensions and reached for a severing of the intimate relations between sound and Euclidic space.</p>}, number={1}, journal={SoundEffects - An Interdisciplinary Journal of Sound and Sound Experience}, author={Michelsen, Morten}, year={2012}, month={Apr.}, pages={81–95} }