SoundEffects is an open access, international, peer-reviewed journal on sound and sound experience operating on the Open Journal System.
SoundEffects brings together a plurality of theories, methodologies, and historical approaches applicable to sound as both mediated and unmediated experience. The journal primarily addresses disciplines within media and communication studies, aesthetics, musicology, comparative literature, cultural studies, psychology and sociology. In order to push the boundary of interdisciplinary sound studies into new areas, we also encourage contributions from disciplines such as health care, architecture, and sound design. As the only international journal to take a humanities-based interdisciplinary approach to sound, SoundEffects is responding to the increasing global interest in sound studies.
One of the advantages of SoundEffects as opposed to paper journals is that we can offer authors the possibility to attach sound bites to their articles (please check the Author Guidelines).
The editors of SoundEffects: Iben Have, Birgitte Stougaard and Erik Granly Jensen.
The journal is supported by the following International Advisory Board: Michael Bull (University of Sussex); Annabel J. Cohen (University of Prince Edward Island); Steven Connor (Birkbeck College, London); Nicholas Cook, (University of Cambridge); Christoph Cox (Hampshire College); Lydia Goehr (Columbia University); Antoine Hennion (Centre de Sociologie de l'Innovation, Paris); Kathleen Higgins (University of Texas, Austin); Douglas Kahn (University of New South Wales, Sydney); Phillip Tagg (Universities of Huddersfield and Salford).
If you wish to up-load an article for SoundEffects, please check our future calls. We do not review articles continually, but only in relation to the thematised calls.
For further questions, please contact Nina Gram email@example.com
Vol. 3, No 1 + 2
Proceedings from the conference Audio-Visuality (26-28 May, 2011) with the following themes: 1) Sound Styling in Film and Television Genres, 2) Strategic Communication, 3) The Audiovisual exhibited – Sound in the (fine) Arts, 4) Mobile Mediated Audiovisuality.
Scheduled to appear autumn 2013.
Call for papers: Vol. 3, No 3
Urban Sounds. Full articles are due June 15 2013
Vol 2, No 2 (2012): Conceptualising Sound
Table of Contents
|Birger Langkjær, Iben Have||1-3|
|Sound And Stasis in Pictorial Poetry|
|A Museological Approach: Radio as Immaterial Heritage|
|Christian Hviid Mortensen||21-35|
|Urban sound design – can we talk about it?|
|‘Please, do not turn up the volume’: silence, ‘small sounds’ and the displacement of auditory perspective in works by Miki Yui|
|Tina Rigby Hanssen||51-64|
|The cinematic soundscape: conceptualising the use of sound in Indian films|
|Conceptualising the audiobook experience|
|Iben Have, Birgitte Stougaard Pedersen||79-95|
|The sounds of capitalism|
|Nicolai Jørgensgaard Graakjær||96-99|
|Investigating the threshold of VOICE|
|Birgitte Stougaard Pedersen||100-103|